Mary Jo asks, "A friend has a White 999 and wants a walking foot…I've tried to explain to her about checking the alignment of the feed dogs and checking the shank, anything else she should check?". While I don't intend to use the blog to answer individual questions, this might be an opportune time to start a thread about presser feet, because they cause a good deal of stress for new users of vintage machines. I am certainly not a fountain of presser foot knowledge, I'll just spout out what I know and invite anyone else to jump in and add more info or correct any misstatements I might make.
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While there are quite a number of different sizes, shapes, and styles of presser feet out there, the vast majority manufactured since the turn of the 20th Century fall into 3 1/2 categories:
- High Shank - Used on most industrial sewing machines and on Japanese zig zag machines of the 60's and 70's. Necchi machines of that era used high shank attachments on zig zag models and low shank attachments on straight-stitch models. If you have a high shank machine and are having problems locating suitable and economical presser feet, check with an industrial machine vendor. You'll be amazed at the huge variety of feet available.
- Slant Shank - Used on Singer machines made in the USA, Germany, and Japan in the 50's, 60's and 70's. Singer introduced the slant shank on the model 301 in 1950 and continued through all of the Slant-O-Matics, Touch 'n' Sew series and beyond. Interestingly, the Singers manufactured in Great Britain during the same time period continued using low shank accessories.
- Low Shank - probably the most common.
- Snap-On - I call this the 1/2 category because the snap-on adapters I have seen are low shank.
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Berninas use exclusive Bernina style attachments that will not interchange with anything else. This keeps the price of Bernina accessories high and is reason enough for me to stay away from Berninas unless they come with a full complement of presser feet and other attachments.
For a short time, Sears used a "Super High Shank" style presser foot on their Kenmores, probably for the same reason that Bernina uses exclusive feet - to stifle competition.
For a few years, Singer used back-clamping feet on the model 66, but later switched to low shank feet. Back-clamping feet are a bit scarce, but it is a simple job to swap the presser bar from a later model 66 and begin using low shank attachments.
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The general wisdom is that you may swap feet between different machines as long as they are the same style (High Shank, Slant Shank, etc.). While this is basically true, there are some considerations:
- The feed dog on a zig zag machine is wider than the feed dog on a straight stitch machine. If you try to swap a straight stitch foot to a zig zag machine, or vice-versa, the feed dog might not align properly with the underside of the foot and fabric will not feed properly.
- The needles on early zig zag machines were not centered, as they are today, they rested in the left side of the needle hole in the throat plate. If you try to swap a straight stitch foot between center-needle machines and left-needle machines, the needle will hit the foot and break. Usually the zig zag feet are still swappable because the hole in the foot is wide enough to accept the needle all the way from full left to full right throw.
The Clotilde catalog has a chart crossing machines to the style of presser foot at:
http://www.clotilde.com/cl/shank_chart1.asp
I spotted at least one error in the Necchi section, but it might help somewhat.
There you have it - the sum total of my presser foot knowledge! Comments?
A large number of people have discovered the benefits of older sewing machines. Whether it's because they are simple enough to maintain and repair with common handtools, or strong enough to sew thicker fabrics without hesitation, or just because they are plentiful, cheap, and fun to collect. This site is dedicated to passing on information to make your experience more enjoyable.
Tuesday, May 09, 2006
Thursday, May 04, 2006
Japanese Clones of the 40's, 50's, and 60's
Shortly after W.W.II, Japan, with money from the United States, manufactured a large number of sewing machines. The most common of these were based on the Singer Model 15 but there are also Singer 99 clones. Indeed many of these machines are practically indistinguishable from a Singer and use parts that are interchangeable. Often they were given American sounding names to appeal to the overseas market. Over 5000 different "brands" have been identified, manufactured by 15 or so companies. Unfortunately, records from these manufactures don't exist, so it is impossible to identify them further. Generally speaking, a machine will, somewhere, state "made in Japan" or have "JA- " stamped into the bottom of the machine. To further complicate matters, large retailers would purchase machines and have the company name on them: RH Macy, Gimbals, etc. Any retailer so inclined could have Sewing Machines made just for him or her (Sears Kenmore, Wards Signature). I've tracked Department Stores, Machines with Automobile names, female names, patriotic names etc. The post war machines are generally well made, often quieter and smoother running than the Singers they were copied from! Japan also gave us many of our colored sewing machines. Examples have been found in metallic blue, green, pink, yellow, and I have a Fire Engine Red one! In terms of collectability, don't be fooled by a claim of "an extremely rare" Mitsubishi, Ford, Saxon, Stitch Queen etc., the same machine could have dozens of different names. If it says "Singer" on the machine, it probably is. If it doesn't, it's not. The Japanese machines have not caught on with collectors (even the ones made in Occupied Japan) and as a result retain very little value. They can be found at many thrift shops for $10-$20 and at local auctions for under $5. This might be a good niche for a collector on a limited budget – they could collect all pink machines or one machine of each color.